Selected Exhibitions
Curt Belshe & Lise Prown
Selected Exhibitions
2014 A New Dialect, 3D printed figures, iPad, augmented reality technology, triggering video and audio. STEAM: STEM + ARTS, On view: Tuesday, May 20 – Saturday, August 16. Hours: Tues – Sat, 12 – 5pm, Curated by: Patricia Miranda, Miranda Arts Project Space, For more information visit: http://artsw.org/steam
2013 “Artists in the Archives” (including The “Alternet,” “Book Marks,” and The “Call to Everyone”.) Exhibition is traveling to libraries and venues from 2013-2015. Venues include libraries in Shrub Oak, Elmsford, Chappaqua, Peekskill, Ithaca, Rochester, and NYC in New York, the public library in Teaneck, New Jersey, and BookWorks in Asheville, North Carolina.
THE SKY IS FALLING! Exhibition Dates: October 19 – December 2, 2012, BYRDCLIFFE Kleinert/James Center for the Arts, 36 Tinker Street, Woodstock, NY
Milk Train, An Augmented Reality Art Installation at The Wassaic Project, wassaicproject.org, Curt Belshe and Lise Prown 2012
Megadeck 2, Paramount Center for the Arts, February 2 – April 17, 2012, The Paramount Center for the Arts, Peekskill, NY.
COLLABORATIVE CONCEPTS AT SAUNDERS FARM 2011, Fracktoids, An Augmented Reality Project, Garrison, NY.
DÉCOLLAGE: TORN EXTERIORS—AUGMENTED REALITIES FOR THE SMARTPHONE
CURATED BY SARAH DRURY, TECHNICAL CONSULTANT: CHRIS MANZIONE
Ventana244 ART SPACE, Williamsburg, Brooklyn 11211, APRIL 16-MAY 8, 2011
Hudson Valley Artists 2010: Contemporary Art and Praxis, June 26 – Nov. 14 2010, Samuel Dorsky Museum of Art at SUNY New Paltz, Artwork from Show purchased by the Museum 2010.
Signing, Solo Show Curt Belshe and Lise Prown, Feb. 2, 2009 – March 6, 2009, Westchester Center for the Arts, Westchester Community College
Megadeck 1, Group Show, Paramount Center for the Arts Peekskill, NY, February 2010
COLLABORATIVE CONCEPTS AT SAUNDERS FARM 2008, Field Signs (A New Farmers Almanac)
COLLABORATIVE CONCEPTS AT SAUNDERS FARM 2007, SWARM, Concerning the locust,OUTDOOR SCULPTURE, GARRISON NEW YORK
SICA, 2007 Sculptoure, Outdoor Sculpture Show, Long Branch, NJ, Post Aquarian Watermarks, 2007, Site Specific Installation.
Peekskill Project 2006, a project of the Hudson Valley Museum for Contemporary Art, A Flock of Crows, A public sign installation, Sept 15 – Oct 7, 2005. This project is supported in part with funds from the Strategic Opportunity Stipends Program through New York Foundation For the Arts and New York State Council on the Arts, administered in Mid Hudson by Garrison Art Center.
Peekskill Project 2005, A project of the Hudson Valley Museum for Contemporary Art, What’s in A Name? A public sign installation, Sept. 18 – Oct 18, 2005.
Fabrications, Sponsored by the Peekskill Arts Council, Outdoor Sculpture Installation of Street Banners, Oct. 2000-Jan. 2001.
Biography Memorials Outdoor sculpture exhibition, Woodlawn Cemetery Sculpture project with the Bronx Council for the Arts, Bronx New York, April 1995
REPOhistory-Artists Collaborative-Active member 1991-to 1995. This group of artists has been active in making work the repossesses untold histories to make art works.
Artists Space-REPOhistory Choice Histories: Framing Abortion a REPOhistory installation project July 1992
Lower Manhattan Street Sign Project-REPOhistory Public Art project for Lower Manhattan, June 1992
Artists/Homeless Collaborative, Ceramic Tile Installation created with the Residents of the Park Ave. Women’s Shelter, Sept-Nov 1991
The Waterfront Show, TMinor Injury Gallery, Brooklyn, NY, Collaborative Installation with Curt Belshe, April 1991
Longwood Gallery, P.S. 39, Bronx Council For The Arts, Bronx, NY, October 1990
The Intimate Museum, Arsenal Gallery, Unnatural Causes, Group Show in conjunction with Earth Day, April 1990, New York, NY.
The Airport Project, Kennedy Airport, Site Specific Installation, sponsored by O.I.A. Installation, March-Apr. 1990
Political Landscapes, Long Island University, Hilllwood Art Gallery, Brookville, NY, Installation, March-Apr. 1990.
Intl. Biennial of Paper Art, Leopold-Hoesch-Museum Der Stadt Düren, Düren, West Germany, May-Aug. 1990.
terra firma?, Boston University Art Gallery, Collaborative Installation, January 1989
The Portrait Retold, P.S. 122 Gallery, Group Show, Collaborative Installation, NY, May 1988
Gossip, Fate and Policy, Rotunda Gallery, Collaborative Installation, Brooklyn, NY, April 1988
Rooms with a View, Curated by Fred Wilson, Longwood Gallery, P.S. 39, Bronx Council For The Arts, Dec. 1987 participating artist and exhibition designer.
O.I.A. 1Oth Anniversary Outdoor Sculpture Show. Snug Harbor Cultural Center, Collaborative Installation, Staten Island, NY, May 1987
Ethnocentric Histories of Art, Bronx River Art Center, Bronx, NY, March 1987
Counter-Representations, Brooklyn Museum, Brooklyn, NY, September 1985
Sculptor’s Drawings, Rotunda Gallery, Brooklyn, NY, March 1984
Public Speaking
Artists & Computers An Overview: 15 years of Digital Art Exhibitions from Westchester Community College by Lise Prown, May 2, 2010, ArtPlace Gallery, Fairfield, CT
Curating
Curatorial Team, Peekskill Project 2012,
Gallery Curator: Westchester Gallery, Westchester Community College, Peekskill Extension Center
This gallery is dedicated to showing to digital artwork in all its many forms. 1994-to present.
Curatorial Team, Literacy on The Table a three-part exhibition at:
Longwood Gallery, P.S. 39, Bronx Council for the Arts;
Franklin Furnace, NYC;
Hallwalls, Buffalo; Collaborative Installation with Curt Belshe, Bronx, NY, 1989
Curatorial Team, Artists Space, “Fairy Tales: Politics, Desire and Everyday Life”, Co-curator and Collaborative Installation, New York, NY, November 1986
Publications
The New York Times, “Signs of Olden Times bring History to the Streets”, Mervyn Rothstein, June 25, 1992
The New York Times, “At Longwood Gallery, 2O Artists Traverse Culture and Literacy”, Vivien Raynor, June 25, 1989.
Boston Globe, “BU Exhibit Succeeds at Making Art of Trash”, Christine Temin, January 17, 1989.
Art New England, “Review of terra firma?”, Cornelia Wright, February 1989.
Artforum, “Rooms With A View”, Jean Fisher, January 1988.
The New York Times, “A Living Version of Heresies Magazine”, William Zimmer, November 18, 1987.
The New York Times, “Sculpture Carefully Considered for a Site”, William Zimmer, June 28, 1987.
Education
Lise Prown
Yale University, School of Art, New Haven, CT, M.F.A. 1982
Whitney Independent Study Program, New York, NY 1979-8O
Minneapolis College of Art and Design, Minneapolis, MN B.F.A. 1979
Washington University, St. Louis, MO 1975-77
Curt Belshe
Cranbrook Art Academy, Bloomfield Hills, MI—MFA 1979 -Area of Study: Printmaking
Washington University, School of Fine Arts, St. Louis, MO—BFA 1977 -Area of Study: Printmaking